...And Star Power Jewel Case Version
Foxygen have joined Star Power.It is a punk band, and you can be in it, too.Star Power is the radio station that you can hear only if you believe.We're all stars of the scene.
FOXYGEN...AND STAR POWER is the new DOUBLE ALBUM from Foxygen, a CINEMATIC AUDITORY ADVENTURE for the speedy freaks, skull krunchers, abductees, and misfits... Made by Foxygen at Dream Star Studios in their Secret Haunted House with the UFOs flying around in the sky.
A gaggle of guest stars. Roman-numeraled musical suites. Vocals recorded on a shoddy tape machine at The Beverly Hills Hotel and Chateau Marmont. A svelte 82-minute run time of psych-ward folk, cartoon fantasia, songs that morph into each other, weaving in and out of the head like UFO radio transmission skullkrush music. ADHD star power underground revolution. Soft-rock indulgences, D&D doomrock and paranoid bathroom rompers. Process is the point. A kaleidoscoping view. Blasphemy even the gods smile one. Rock and roll for the skull...*
*From Patty Smith's 1973 CREEM review of Todd Rundgren's A Wizard, A True Star. The section concludes "Todd Rundgren is preparing us for a generation of frenzied children who will dream in animation."
'No Destruction' b/w 'Where's The Money''
Featuring "No Destruction", a hot slice off the "We Are the 21st Century Ambassadors of Peace & Magic" pie, and the ostensibly quizzical b-side, "Where's The Money?"
We Are the 21st Century Ambassadors of Peace & Magic
We Are the 21st Century Ambassadors of Peace & Magic is a precocious and cocksure joyride across California psychedelia with a burning, bursting punk rock engine. In the same year as Scott McKenzie the singer of "San Francisco (Be Sure To Wear Flowers In Your Hair)" leaves this mortal coil, Foxygen delivers unto us the dandy Glockenspiel-packing "San Francisco," which both circumvents and dissects McKenzie's tune and its many cousins of the era. "I left my love in San Francisco/(That's okay, I was bored anyway)/I left my love in a field/(That's okay, I was born in LA)" goes the lovely call-and-response chorus, slamming together the archetypal flower children of the 60s and the archetypal ADHD vapidity of our recent generations. Another highlight, "Shuggie," manages to fit all the light bounce of the song's namesake and the climbing choruses of ELO into it's 3 minutes while still filling the tune with imagery of "rhinoceros-shaped earrings" and haunted parlors. Every nook and cranny of the record is loaded with their unflappable, brazen personalities. Foxygen takes "swagger," that as-of-late misused adjective, back once and for all. It's flipping pyramids old and new upside down — from the miracle demo hand-off to their Richard Pryor-as-Jagger live shows to their singular idiosynchratic vision of rock n' roll.
Take The Kids Off Broadway
Foxygen is the bi-coastal songwriting duo of Sam France (vocals, Olympia, Wash., 22 years old) and Jonathan Rado (guitar/keyboards, NYC, 22). They are the raw, de-Wes Andersonization of The Rolling Stones, Kinks, Velvets, Bowie, etc. that a whole mess of young people desperately need. At the same time, they pull a very Anderson-type move wherein they paint an impressionistic and hyper-real (and instantly recognizable) portrait of specific places and times — and blurring the lines between time and place. Yet, it never comes across as anything but absolutely modern music. They bring the freewheeling qualities of someone like Ariel Pink to those aforementioned influences to make for one of the most refreshing listens of the year. They are the real deal and total savants. Jagjaguwar is proud to introduce you to Foxygen and their bedroom masterpiece Take the Kids Off Broadway.